Save your journal entry as a Microsoft Word file and submit it using the appropriate link in the Session 2 folder. Follow all the directions, adhere to the rules of Standard Written English, and submit by the deadline. 1 . Contrasts can evoke strong emotions and images in creative writing. Re- read Yeses Gunnysack’s poem “Facing It” (page 42). Make note of the ways Communally contrasts ideas and images: white and black, night and morning stone and flesh, solid and air, movement and stasis, reality and reflection, cast and present.
These contrasts create a sense of confusion and tension. Write two paragraphs of your own in which you describe a brief fictional scene that is full Of contrasts. Make the contrasts meaningful to the character in your scene. 2. A stanza is a group of lines in poetry. (Billy Collins’ poem “Snow Day’ on page 41 is eight five-line stanzas, for example. ) Write a poem of three-line stanzas that follows this pattern: The first line consists of an abstraction, plus a verb, plus a place; the second line describes attire; and the third line of each Tanta summarizes an action.
Let it flow. Each stanza should make sense by itself; all together the poem does not have to make absolute sense. See the examples on page 24 of Imaginative Writing. Your completed poem should be at least eight stanzas. 3. Quickly list as many clickd metaphors as you can think of: the path of life, eyes like pools, crazy as a bedbug, nose to the grindstone, and so forth. Provide the list. Then switch half a dozen of the comparisons: eyes like bedbugs, nose to the path, the grindstone of life. Then, write a brief poem (at
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