Nans Goldin Introduction If a still image can speak, it will tell you stories that will capture your imagination. It can describe how the photographer feels when taking the shot; it can also explain the emotions by the subjects to which the photograph has been taken, what the ambience of the location was and what the main feelings are during the poses. Even if the […]
Intro Documentary photography is extended form — that is, a work composed of a sizeable number of images. Some relation to text is a given, even if it’s only minimal, as in the identification of subject, date, and location; the text may in fact be extensive. There is no external time limit implicit in this form; some documentary projects have stretched over decades. For this […]
History of Photography When you look at a photograph from your favorite photographer what do you see? Does it remind you of your past or make you think of the future? What if there was a photographer that made you think of not only the past but also the future as well? Well that is exactly what Abelardo Morell did with his Camera Obscura photographs. […]
Magnum Agency was created in the 1947 just after Second World War .Agency was formed by photographers themselves Henri Cartier Bresson, Robert Capa, George Rodger and David “Chim” Seymour. They created Magnum to show their independence as photographers but also as a people who highlighted not only what was seen but the way one sees it. After the destruction to the world as a consequence […]
To discuss the contextual differences of two artists. To compare and contrast two images by two different photographers. The two artists I have chosen to look at for this investigation are Henri Cartier Bresson and Terence Donovan. To compare and contrast the two images I have chosen by these artists, not only must the images be deconstructed, but the artists background. The aim is to […]
This exhibition shows images of London streets taken between 1960 and 2010, some of them come from the museum archives and was not exhibited before at such a scale. Exhibition takes place in a couple of rooms in the lower level. The main exhibition space takes two rooms to the side showing films about street photography. The images are displayed in chronological order around the […]
Using one image that you feel is representative of the work of a particular photographer, movement or genre, contextually deconstruct the image, in an objective and considered way. The image I have chosen to contextually deconstruct, is one photographed by Henri Cartier- Bresson. This image was taken in 1969 it is named Sidewalk Cafe, Boulevard Diderot, Paris. To discover the socio-cultural identity of Henri Cartier- […]
The social crisis of our time, however, calls for a redefinition of what photography can and should document. Obviously, not all documentary photography has to be didactic in pointing to a possibility of social change. But there is a need for discourse among documentary photographers about the content of work, and its relationship to the social movements of our time. The social movements of our […]
As a “people watcher,” documentary photography has always been intriguing to me. I remember thinking how wonderful it was for photographers to be in the right place at the right time and wondered how they knew where to be for that perfect shot. I began carrying my camera everywhere, and started looking at my surroundings and the people in them differently. As if that perfect […]
Using a broad range of critical, satirical, and photographic texts, assess the cultural reception of photography in the mid nineteenth century. To answer this question fully, there must be a clear knowledge of the culture/society which birthed photography. The mid nineteenth century was a time of great technological advancement (most prominently industrial technologies) that bought with it significant cultural and social change. It is well […]
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